Image#2 Here and Gone
16" x 20" painted paper collage
By about mid month I was certain that there would be no newsletter for February. Why is that you ask? Because I didn't think I would have any completed work to show. None. Zip. Zilch. I don't know if I actually am experiencing some mental changes or if it is just too much pandemic time or what but I have slowed down immeasurably.
Luckily, things turned around a bit and I was able to reconnect enough with myself to get some work together. I am pleased with the results. My ideas this month came from something I remember from my childhood. I recall going to museums, looking at the exhibits and seeing cases of artifacts. Tools, pottery, small bits of someone's lifetime, all on display in these flat or standing glass cases. I like this sort of stuff. Dioramas, exhibits, and collections of things always seem to catch my attention. I think I am drawn to the organization; the spatial arrangement of objects. This shows up in my work I think in the way that I arrange shapes and colors and lines on the page. I can look back at many of my collages and see this idea again and again. These current pieces are no different. It was a real challenge to put each piece in what I felt was the "right" place.
In looking back at my notes for the month (I make notations in my sketchbook each day) I can see that I had a few things on my mind. The idea of artifacts is one thing. What is left behind after we are gone? Fossils are another idea. I read a bit in a book a while back about how our civilization, when it is gone, will be just a continuous thin band in the geological record, similar to the K-2/K-Pg boundary, if you are familiar with that idea. I was also thinking about hieroglyphics, writing, and cultural appropriation. (There is more to Egyptian culture than Cleopatra, snakes, and togas.) The concept of deep time was also on my mind as well as the heating and cooling of the earth. I love these ideas; love reading about them and thinking about them. It's what keeps me attached to this world.
All of this is to say that I had some things on mind while I was working and while I can't say that the pieces overtly represent that, I do think they tell a story. It's really up to the viewer to supply the details of what they see.
This month I started to take an online workshop from the wonderful Nicholas Wilton. I just love this guy. I like his work and he really talks my language with regard to design. I had to stop though. First, I became a bit disengaged. And then, it was just overwhelming. It has taken me a long time to develop my own ideas about what I like and to figure out what my own "rules" are. (They are very similar to Nick's principles.) Honestly, I want to continue pursuing what I have put together for myself and as much as I like Nicholas, I felt that his ideas might overtake me a bit, if that makes sense. I absolutely only want to hear my own voice. It's a fragile thing, trust me!
Alright, thanks for reading if you made it this far. Have some comments? Let me know: email@example.com