New Work: November 2020
From Top to Bottom:
In The Beginning
All Are One
All images 16" x 20"
painted paper collages,
frottage and washi tape
It's nearing the end of the calendar year and my blogging feels like it needs a change. In particular, my way of sharing my artwork has become a little dissatisfying. As much as I love and appreciate all of the comments I receive on FB and Instagram, I always feel like I am throwing my work "out there" kind of randomly. My efforts don't feel terribly targeted. Perhaps now is the time for a different approach. With that in mind, I am trying this month to be a little more direct in the way that I show my new work.
As scattered as this year has been, November was a good month for me, artwise. With the above pieces, I am trying a slightly different way of arranging my images on the paper. When I began making collages, all of my shapes were quite geometric, cut using a ruler and a knife. They were arranged as if on a grid. (Picture a piece of graph paper and then imagine adding a cut out square to that page, lining it up precisely with the lines of the grid.) The result here is that your precisely cut shapes need to be placed on that grid so that they don't appear crooked. As much as I loved that order and precision, it's fairly difficult. I longed to be able to just draw organic, non rectilinear shapes by hand and cut them freely with scissors and arrange them willy-nilly on my board, regardless of any underlying "grid."
This seemed kind of impossible at first. Drawing is not my strong suit as an artist. I was quite afraid that people would know this and laugh at the shapes that I drew. I gradually began to realize though that drawing, per se, wasn't the skill I needed. Confidence and effort were called for. I began though by doodling shapes in my sketchbook. I looked at the work of Keith Haring, the ultimate doodler (in my opinion). I disregarded all of the things that told me "no" and tried out some freely drawn organic pieces in my work. It's taken a while, but I now draw what I want confidently and without too much embarrassment! If it doesn't look exactly like the photo or image that I am observing I am OK with that.
I am happy to report that I really love the pieces shown above. The titles tell you a little of what I was thinking about when I made the work: how our world began, how life as we know it may have arisen, how we are all of a common ancestry, regardless of our skin color, and how the passage of time contributes to such variety of life that we see around us. I have read several books on genetics and evolution this past year and so those subjects are always on my mind. As always though, I know that the viewer will bring their own interpretation to the work and hopefully make their own associations.
If you have an opinion or an observation about these pieces, I hope you will drop me an email: email@example.com. Even if you want to know something different from having read this post or just want to say "hello" that is OK too. Thank you for reading and following along.
12/2/2020 09:29:22 am
These are great Libby. Your colour palette for the first two in particular is lovely.
12/2/2020 01:05:55 pm
I never realized your other work was on a grid! Either I’m not very observant, or you did such a good job of apparently breaking free, it was obvious. These are also very balanced in composition-that’s just you, I guess. 😉 I like these, particularly the second one.
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